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Halo para Warga Jogjagamers! Pada kesempatan kali ini.. saya akan memberikan sedikit guide, yang dimana guide tersebut tentang “Band” atau cara ber-roleplay menjadi Crew-Band. Sebelumnya mungkin kalian semua mempunyai band favorite kalian masing masing yah, entah itu genre rock/metal/blues dan lain lain, pokoknya yang sering kalian dengarkan dan kalian suka. Nah kalo kalian mau.. dari situ, dari band yang kalian suka, kalian bisa menciptakan roleplay! Kalian bisa membuat roleplay band, misal kita ambil contoh band nya Adalah “Green Day” band pop punk yang sangat terkenal, kalian di IC juga bisa loh ber roleplay seperti itu, dengan catatan kalian merangkai nya ulang, seperti membuat ulang nama band nya dan jadikanlah band favorite kalian sebagai kiblat untuk roleplay band kalian. untuk roleplay nya, dalam roleplay band ini kalian bisa melakukan banyak hal. Mungkin kalian bisa bener bener RP dari “0” yang dimana mungkin masih ditahap perbincangan / planning, kemudian bisa juga berlanjut ke roleplay Jamming Jamming santai / training section gitu, terus kalo misal in roleplay band nya sudah terbentuk, sudah ada crew nya dan sudah mulai terstruktur.. kalian bisa roleplay untuk membeli-membeli alat musik, atau menyewa alat music untuk giggs, atau mungkin cukup sekedar roleplay menyewa studio untuk latihan routine, semua itu tergantung kalian mau gimana arah nya. Pokoknya kalian bisa ngikutin aktifitas anak anak band di IRL dan diterapin ke Roleplay kalian. Kemudian kalian juga bisa mengimprove RP nya seperti kalian mulai RP band Tour, mulai RP Giggs di tempat tempat ramai, atau mungkin collab dengan band lain. berikutnya adalah beberapa peran umum dalam suatu band modern, yang mempunyai peran penting dan yang bisa kalian roleplay-kan: - Vokalis/Singer - Drummer - Lead Guitarist - Rhythm Guitarist - Bassist - Pianist / Keyboardist - Sequence Player Saya juga akan menjelaskan tugas tugas mereka didalam suatu band, dan bagaimana mereka bekerja sebagai mestinya. - Vokalis: Sesuai judulnya.. Vokalis/Singer.. yang dimana pada suatu Band, vokalis bertugas untuk menyanyi, mengisi lagu dengan lirik lirik yang indah, dan mempunyai banyak makna, vokalis ini Adalah salah satu posisi paling penting, karena disetiap band pasti harus ada Vokalis untuk bernyanyi di setiap lagunya. * Referensi Vokalis: > Contoh Roleplay < /me raises his voice, use his emotion into every lyrics. /me grips the microphone, sings with properly, try to catch the note and feel the vibe. /me takes a deep breath, adjust his microphone and get ready with his voice. - Drummer: Drummer adalah salah satu posisi yang paling penting juga loh! Karena drummer mempunyai tugas untuk menciptakan Beat menggunakan drumset nya, yang dimana drummer juga terkadang diberi tugas untuk memimpin tempo pada suatu lagu agar tidak acak acakan mungkin istilah nya mah “Tempo tuh ada di drummer”, dengan Drumset nya drummer memainkan Bass, Snare, Tom-Tom, Hi-Hat, Crash Cymbal, Ride cymbal dan lain lain yang menciptakan suara yang keras. * Referensi Drummer: > Contoh Roleplay < /me takes the drum stick, checking the sound of the drumset. /me filling in the music with playing every beat. /me looking at his crew, keeps the tempo and match it with the melody. - Lead Guitarist: Gitar lead atau gitaris melody yang posisi nya juga sangat penting, berhubungan dengan gitar rhythm, yang dimana Guitarist Lead akan memainkan melody melody disepanjang lagu yang akan mengisi lagu agar tidak sepi, mengisi lagu dengan nada nada yang unik, menarik, dan mungkin dengan nada yang khas. Menjadi Lead Guitarist juga adalah salah satu posisi yang sulit, karena banyak Teknik yang harus dikuasai untuk benar benar menjadi “Lead Guitarist” banyak Teknik Teknik keren yang bisa kalian lakukan dan roleplaykan agar kalian terlihat seperti “Lead Guitarist” Seperti memainkan tapping yang cepat seperti “Eddie Van Hallen” atau mungkin seperti “Jimmi Hendrix” yang Wah-Wah, Whammy bar / Tremolo dan premainan blues yang sangat keren, dan banyak lain lainnya. * Referensi Gitaris Lead > Contoh Roleplay < /me Performs his Finger tapping technique on his Guitar, playing every single note and vibing with the string. /me Filling in the Melody with the music, trying to catch every basic note and perform it to the technique. /me Make some melody improvement using his feelings, playing the lick part skilfully, swiftly, and vibely. /me Doing headbang while playing the melody of his guitar. dan banyak roleplay-roleplay lainnya yang bisa kalian ambil referensi nya dari Teknik permainan orang orang terkenal. - Rhythm Guitarist: Gitaris Rhythm atau mungkin gitaris yang memainkan Akor/Chord berhubungan juga dengan gitaris lead, karena jika hanya mengisi melody tanpa chord, suaranya akan terdengar kurang atau tidak lengkap. Tidak sesulit gitaris lead tapi gitaris Rhythm juga salah satu yang keren dalam band. * Referensi Gitaris rhythm > Contoh Roleplay < /me plays the chod progression on his guitar, filling in the part with the chord. /me doing headbang and playing his guitar, strumming on the string and making some good note. /me Looking towards the drummer, focusing on the tempo and following the path using the chord progression. - Bassist: basisst adalah posisi penting juga di dalam suatu band, tapi terkadang malah dipandang “gak penting” sama orang orang, padahal heartbeat itu ada di Bassist, ibaratkan Bassit itu pondasi dalam satu band ketika memainkan melody, bassist juga terkadang Gerakan nya cenderung santai, tetapi tergantung juga dengan genre apa yang dimainkan pada lagu tersebut. * Referensi Bassist > Contoh Roleplay < /me Playing the bass string with his finger, trying to make beat and sync in with the other melodies. /me playing the bass with slap technique on the string, keeping the timing right and choosing the right note. - Pianist / Keyboardist: posisi yang penting juga, sama sama memainkan melody seperti yang lainnya, bedanya ini memainkan melody yang lebih lembut dan lebih khas dengan Piano/keyboard nya. Di beberapa band seringkali ada pianist/keyboardist nya contoh nya di dalam band Queen yang dimana Pianist nya adalah Freddie Mercurry, kalian bisa meniru gaya permainan mereka yang bermain Piano/Keyboard di dalam band band terkenal. * Referensi Pianist / Keyboardist > Contoh Roleplay < /me sits in front of the piano, placing their fingers gently on the keys /me adjusts the keyboard stand and checks the sound settings /me stretches their fingers, preparing for the melody - Sequence Player / Playback Engineer: Terkadang bertugas di belakang panggung, jarang terlihat oleh orang orang, hanya berdiam di depan laptop / device, tetapi mempunyai peran yang sangat amat penting. Sequence Player bertugas untuk mengatur playback selama live performance, menjaga tempo pada lagu dan mengatur jalan nya setlist lagu yang dimainkan. mereka harus waspada selama Live Performance untuk mengatur playback sesuai arahan dari music director. Intinya tugas mereka adalah Merekam urutan nada, Mengatur playback, Menyusun struktur bagian lagu. > Contoh Roleplay < /me staying in front of his device, preparing the sequence, checking the parameter of the songs. /me adjust the Tempo with using metronome, make it keep staying. Mungkin itu aja sih yang bisa gua kasih di thread ini, tentang RP Band / How to become Crew band. Maafkan yah kalo mungkin tutorial nya kurang jelas atau kurang lengkap, atau pokoknya masih kurang lah, soalnya ini first time gua buat guide RP, dan gua buat Guide ini juga hanya dengan sepengetahuan gua ketika gua nge RP in jadi Crew band, dan sedikit ilmu-ilmu yang diberikan oleh temen temen gua. Pokoknya sisanya kalian bisa roleplaykan se-kreatif mungkin dan semau kalian, karena RP band ini gampang cari referensi nya, tinggal liat aja dari Band-Band favorite kalian. sekali lagi, sorry jika ada kesalahan kata, semoga Guide ini dapat bermanfaat untuk kalian yang ingin mencoba me-roleplaykan char kalian menjadi anak band / crew band. Special tag untuk orang yang memberi saya ilmu tentang dunia perband-band an: @richiefor2@Luther

Introduction This thread marks the transition from what was previously known as The Bensonhurst Boys into a new identity: The Black Hand. This change is not a reset, but a continuation. The foundation, events, and overall storyline remain consistent with previous chapters, preserving the same direction and development that has already been established. What changes is not the story itself, but the way it is presented moving forward. The rebranding comes as a natural step in response to the evolving structure within the narrative, particularly with the arrival of a new division, The Pierce Boys. With multiple crews now operating under a broader and more interconnected system, the previous identity no longer fully represents the scope of what has been built. As a result, this thread adopts The Black Hand as a more fitting representation of that structure one that reflects both its visible operations and its unseen mechanisms. Despite the change in name, everything remains relatively aligned with the existing storyline. The same principles, history, and progression continue without alteration, ensuring continuity for those who have followed the development from the beginning. This rebranding serves solely as an adjustment in perspective, allowing the narrative to expand while maintaining its original core. Moving forward, The Black Hand represents not just a name, but the system behind it one that connects, controls, and sustains everything operating within its reach. Chapter I : Origins Los Santos is a city driven by speed, conflict, and visible ambition. Marcello moved differently, favoring observation, patience, and control. He did not arrive to claim territory or build instant reputation, but to construct a system that could function without noise or attention. During this phase, Marcello began forming a small crew built on function rather than friendship. Each individual was selected for utility, whether as a connector, observer, or field operator. Loyalty was not demanded through words, but tested under pressure. The crew was designed to remain flexible, replaceable, and never dependent on a single figure, including Marcello himself. In this early phase, Marcello began assembling a small, purpose-driven crew shaped by function rather than personal ties. Each individual was selected with intent some to connect, others to observe, and a few to operate in the field when necessary. Loyalty was never declared openly, but revealed through pressure and consistency over time. The structure itself was designed to remain fluid, adaptable, and ultimately expendable, ensuring that no single role became irreplaceable including Marcello’s own position within it. Chapter II: The Supply Circle Marcello understood that a crew could not survive in isolation. Expansion required external networks, not open conflict, and every move had to be calculated to avoid unnecessary exposure. Rather than forcing presence through confrontation, he chose to build connections that could sustain growth quietly and efficiently, ensuring that every extension of influence served a purpose beyond visibility. To support this structure, Marcello operated through a discreet corporate front Black Harbour Corporation & Logistic. Under this name, movement, distribution, and coordination could exist within a legitimate framework, masking intent behind routine operations. It was not designed to attract attention, but to normalize it, allowing activities to blend seamlessly into the city’s constant flow of commerce and logistics. His alliance with Leo, a senior figure within the Irish syndicate, became a key component of this expansion. Through this relationship, Marcello gained access to established distribution channels and a layer of indirect protection, all without provoking territorial disputes. The partnership remained strictly operational, built on mutual benefit and clear boundaries, ensuring that neither side overstepped into unnecessary conflict or dependency. At the same time, Marcello established ties with Mr. Bear, a respected tribal elder whose authority came from trust and deep territorial knowledge. Through carefully managed cooperation under Black Harbour Corporation & Logistic, limited logistical access was granted without compromising autonomy. These connections allowed Marcello’s crew to evolve into a broader, interconnected structure bridging urban syndicates and discreet non-urban networks with discipline, precision, and minimal exposure. Over time, this structure began to operate with a rhythm of its own less dependent on instruction, and more on systemized movement. Black Harbour Corporation & Logistic became more than just a front; it evolved into a stabilizing core that ensured continuity regardless of personnel changes or external pressure. Marcello no longer needed to be present in every decision, as the network itself was designed to adapt, respond, and persist. In this phase, control was no longer about command, but about architecture—building something that could endure quietly, expand naturally, and remain unseen while influencing everything within its reach. Chapter III: Lust and Businesses To sustain long term operations, Marcello positioned his crew behind legitimate fronts. Nightclubs and private venues operated through Glitter Toes Entertainment, a nightlife and performance management brand functioning under the broader orbit of RICH MONEY INC. Publicly, Glitter Toes represented curated luxury, shows, and exclusive events aligned with RICH MONEY INC entertainment ecosystem. Privately, it served as a controlled environment where excess and attention were carefully redirected away from real authority. Luxury was never indulgence, but distraction. Behind the scenes, Marcello’s crew managed security, cash flow, and situational stability. Parallel to this, Marcello operated Black Harbor Risk and Management Service as an independent yet aligned entity. Through Black Harbor, the crew expanded into human risk management, deploying security personnel, handlers, fixers, and controlled performers where pressure existed and order was required. Many recruits came from individuals the city had already abandoned, relocated and placed into structured roles. Nothing was forced, but nothing was free. Within RICH MONEY INC, Marcello held no formal title. Officially, he acted as an external adviser providing risk assessment and personnel solutions. Unofficially, his crew ensured internal stability by resolving problems before they surfaced. In Marcello’s logic, morality remained secondary. Stability was the objective, and in Los Santos, stability is power. Chapter VI: Prime Meridian Los Santos measured power through noise and territory, but some networks moved without visible shape. Fiorentino Circle did not expand like a typical syndicate. Instead of claiming dominance, it adjusted pressure points, redirected conflicts, and quietly stabilized situations before they erupted. Outsiders often struggled to define what they were looking at. There were no public declarations, no rigid structure presented openly, yet multiple groups found themselves unconsciously adjusting around its presence. Some observers described the pattern as similar to a navigational reference line, something comparable to a Prime Meridian, not an authority, but a silent axis others aligned themselves against without formal acknowledgment. Internally, members were never told they followed a doctrine or ideology. They were simply trained to observe before reacting, to reduce friction rather than escalate tension. Nightlife fronts and risk management roles provided controlled spaces where influence could be applied without spectacle. Conflicts shifted into negotiation, threats were absorbed into structured roles, and instability was neutralized before it gained momentum. Over time, the network became known less for visible power and more for the absence of chaos around it. Like an invisible line on a map, it offered direction without recognition, remaining centered while the city moved between ambition and collapse. Chapter V: New Era While the city continued to evolve and criminal enterprises expanded beyond recognition, Marcello Fiorentino quietly became the axis upon which everything rotated. Carlitos built his reputation as a broker operating beneath cartel supervision, carefully maneuvering toward independence without openly declaring it, while Marco transformed into the most reckless yet profitable seller Los Santos had ever witnessed a man who thrived in instability and turned chaos into currency. What once began as separate ambitions gradually merged under Marcello’s silent coordination, forming a network that no longer relied on territory alone, but on influence, trust, and calculated balance. Yet growth came with consequence. A failed movement tied to cartel logistics fractured long-standing agreements, drawing unwanted scrutiny and forcing alliances to reveal their true intentions. Rumors spread that Bensonhurst’s collapse in New York had not ended with arrests and disappearances it had merely displaced unfinished business westward. Marcello understood the pattern immediately: empires rarely fall all at once; they rot through pressure applied at the right moment. For the first time since arriving in Los Santos, adaptation was no longer enough. Someone would have to be sacrificed for the structure to survive. That was when Victor Talatchee arrived. Known across the streets as an original gangsta and one of the few survivors of the Bensonhurst takedown, Victor did not come seeking opportunity he came seeking direction. The past followed him like unfinished debt, and the city quickly sensed the weight his presence carried. As tensions escalated and partners demanded answers Marcello could no longer safely provide, silence became more dangerous than action. Every faction waited to see whether Marcello would protect the network… or protect himself. In the end, Marcello made the decision he had avoided since leaving New York. He stopped moving with change and instead forced it to move around him. By consolidating operations under his direct authority, severing unstable ties, and redefining loyalty through survival rather than sentiment, he transformed from mediator into architect. Victor remained at his side not because the streets required leadership, but because Marcello had finally embraced what Bensonhurst had tried to destroy a leader willing to carry the burden of consequence, even if it meant becoming the very storm now reshaping Los Santos. Chapter IV : Engine On, Legacy Begins The photograph was never meant to be taken. It was born from a rare pause in motion, a fleeting moment where business fell silent and the men behind the structure stood shoulder to shoulder not merely as associates, but as a famiglia bound by purpose. In that still frame, beneath leather and steady gazes, there was no need for introductions. What stood there was not coincidence, but alignment each man positioned exactly where he was meant to be. At that time, The Bensonhurst Boys Automotive Club had already begun to circulate through Los Santos with quiet precision. To the outside world, it was nothing more than a legitimate automotive circle restoration, performance, and craftsmanship built on steel and discipline. Carlitos ensured that image remained flawless, maintaining every legal front, every transaction, every detail that kept the structure clean and unquestioned. What people saw was order. What they didn’t see was control. The emblem came after the photograph. Not as decoration, but as definition. A symbol that carried more than design it carried history. Bensonhurst was no longer a place tied to New York; it had become a doctrine, reshaped and reborn on new ground. “Built Loyalty. Built Machines.” was not a slogan meant for the public. It was a standard. Something to live by, or something that would break you if you tried to fake it. Victor Talatchee became the one who carried that meaning forward. He didn’t explain it, and he didn’t need to. The weight of Bensonhurst followed him in silence, shaping how he moved, how he watched, and how he decided who was worthy of standing within the circle. To others, the patch was something to earn. To Victor, it was something to protect. Loyalty was not given it was proven, again and again, without exception. Inside the structure, nothing was left to chance. Prospects were tested, not welcomed. Members were observed, not trusted blindly. Every role, every movement, every decision fed into a system that valued stability over noise. Carlitos kept the surface intact, ensuring the world continued to see nothing more than an automotive brotherhood. But beneath that surface, the rules were different stricter, colder, and far less forgiving. And over time, without announcement or spectacle, the meaning behind the name began to spread. The Bensonhurst Boys were no longer rebuilding something lost they were refining it into something harder to break. In a city that thrived on chaos and attention, they chose precision and silence. And those who truly understood the emblem knew one thing for certain: this was not a club you joined. This was a structure you survived. Chapter V : Unseen Control The Black Hand was never designed to be seen, and never intended to be understood as a conventional group. It exists as a hidden system operating beneath The Upper up - Marcello and His Partners, carrying out everything that cannot be acknowledged, traced, or exposed. While The Upper up maintains a composed and structured presence focused on order, calculated movement, and controlled expansion The Black Hand functions as its unseen counterpart, handling pressure, correction, and consequences with precision. It is not an organization built through formal declaration, but something that emerged naturally as the structure above it grew beyond what clean operations alone could sustain. Its foundation does not come from Los Santos, but from the remnants of Bensonhurst a past that no longer exists as a name, but survives as a principle. Discipline without emotion, loyalty proven under pressure, and a system designed to function even when parts of it are removed became the core mindset carried forward. Marcello Fiorentino did not attempt to rebuild what was lost; instead, he refined it into something more controlled and less visible. As The Upper up expanded, complications became inevitable failed operations, unstable alliances, and unresolved risks that could not be handled openly. From those gaps, The Black Hand took form, moving where direct presence would create vulnerability, and acting where silence was more effective than force. Within this broader system, two divisions operate under distinct roles while remaining fully integrated into the same structure. The Pierce Boys function as the aggressive outer layer, handling distribution, street-level movement, and volatile interactions where adaptability and speed are required. In contrast, The Bensonhurst Automotive Club operates as a disciplined and controlled front, maintaining legitimacy, internal structure, and mobility through its automotive identity, ensuring that the system retains a stable and credible surface. Though different in function, both divisions are not independent entities, but extensions of a single mechanism designed to support, execute, and absorb risk without exposing the core behind them. The Black Hand itself has no visible hierarchy, no formal recognition, and no need for acknowledgment. Individuals within it are not recruited in the traditional sense; they are observed, tested, and positioned based on function and reliability, often without ever seeing the full picture. Trust is never absolute it is conditional, continuously proven, and easily replaced when necessary. Over time, what began as a reactive necessity evolved into a system of balance, quietly redirecting conflict, neutralizing threats before escalation, and maintaining stability without drawing attention. Actions taken by The Black Hand rarely appear connected, often perceived as coincidence or isolated events, yet they consistently serve the same purpose protecting the integrity of The Upper up. In the end, The Black Hand is not something that can be confronted directly, because it does not exist in a form that allows it. It is the unseen mechanism behind a visible structure, the necessary shadow that ensures everything above it can operate without compromise. It does not seek recognition or dominance, because it already functions where control is determined, not displayed. And in a city defined by noise, ambition, and visibility, The Black Hand remains exactly what it was built to be silent, untraceable, and in complete control.

THE FOUNDATION Marvin "Sandman" Rivera and Dale "J-Bo" Covin were slinging drugs at school and outside as their career kick-off, a formed mini dope-moving clique that consisted of the duo and a few other members was picked up. People who knew in the neighborhood always talked highly about Marvin and Dale, they didn't care about what they were selling back then, didn't care about what they got themselves into, the only thing mattered for them was their audacity to step up and cut poverty right in the throat. WELL-CONNECTED According to one of the SAPD gang enforcers holding an operation in Idlewood and the whole South Central LS, a witness once testified about how Dale and Marvin were related to the local gang and drug dealers, and how they could earn way more money than their parents and every nine to five worker usually did altogether in a month. They made sales mostly on Monte Vista Avenue and Jefferson Stores, the saying was they could profit up to seven thousand dollars a week out of school and neighborhood corners, and it was the margin. Kourtney Moss, a put on, who was also a high-ranking member of Tree Top Piru, happened to be Dale and Marvin's main plug, eventually got arrested by the SAPD, and was in fact also under the gang enforcers and the whole department's watch for over a year. END OF THE ROAD The case went much further as the SAPD targeted anyone who was proven to have contacts with Moss. Raids were everywhere around Ganton and Idlewood, names on the warrant list kept popping up, both Dale's and Marvin's lives were at stake. But on the following day, Marvin surprisingly began to depart from Dale, eschewing Los Santos along with his mother to pursue New York. No one had ever heard about the name of Sandman Rivera again ever since. On the other hand, Dale Covin was reported to have ended the operation after the departure of his partner (and of course, the never-ending waves of raids). The members of the old Big Mobbin' Fringe were also nowhere to be seen and found after the raid. Both names and their crew's were never mentioned or found during the case of Tree Top Piru. RICH MONEY GANG & MOB TIES Marvin's return had made a significant impact on everyone, especially his long-time dealing partner, Dale. They started pushing again like the old times and brought tons of bags on to the table of their so-called street captain, Cody Oates, who was at the time a major player in the East Los Santos narcotic game. The business got expanded to Downtown and West Los Santos, starting off the operation from scratch, as both men decided to use the drug money to fund two businesses, a gentlemen's club & music publishing company, under one umbrella: Rich Money Incorporated. Both men did realize by the time they knew Oates deeper, they weren't just the associates of ELS' biggest brick movers, but a bigger organization, something they never stumbled upon in their early steps, the reason why cities like Detroit, Atlanta, Tennesse, and even New York had their demands of narcotics, a tie to the mob-like figures, the Black Mafia Family. (( This thread aims a realistic approach to an African-American organized crime, the Black Mafia Family, according to real life. Even though it's associated with BALLIN' MONEY FAMILY it will go separately from Seville Connection. Metagaming from this thread is prohibited. ))

Tutorial Cara Pasang: Download File di Deskripsi video di atas. ATAU KLIK LINK BERIKUT INI Last Update: 05 Februari 2024 PERHATIAN! Jika sudah selesai masang mod map di atas, dan tiba-tiba ada 4 kotak hitam di tengah-tengah minimap nya seperti gambar di bawah ini? Itu tanda nya DEP nya belum kamu hidupin di windows kamu, kamu harus menghidupkan DEP nya agar windows kamu mengijikan penggunaan mod pada GTA SA kamu. Lalu cara idupin nya gimana? berikut video tutorial cara memperbaiki nya, dan perlu kamu tahu saat bagian pemilihan .Exe nya, pilih gtasa.exe, video di bawah hanya sebagai video tutorial saja. Setelah DEP Windows sudah di hidupkan, dan gtasa.exe sudah di tambahkan, silahkan login, maka 4 garis tersebut nanti akan hilang. Credits: Texture Map by Junior_Djjr mixmods.com.br Hud Map by Aiden Harper @daigoardan53 Add Location Name by BadriKatanyaMah Note: Kalo ada yang salah dengan Nama-Nama Lokasi nya, bisa Tag gua di Thread ini, atau Kalo ada yang mau di Tambahkan juga bisa Komen di sini.

< Previous Version 4.1.7 Current Version 4.1.8 Next Version > 4.1.9 Developer's Notes: Gak tau mau nulis apa di sini, nikmati saja. Changelog: 1. [ADD] In-Game Character Creator 2. [ADD] Mini Harvester for Farmer 3. [CHANGE] Improved Farmer planting system 4. [CHANGE] Increased maximum plant price by 50% 5. [CHANGE] Changed Workshop building Fully Anticipated Questions: (F.A.Q) Q: Bagaimana cara membuat character langsung di In-Game? [No.1] A: Setelah login, kamu bisa membuka menu pembuatan character saat memilih character A: Jika belum membuat character sama-sekali, akan langsung masuk mode pembuatan character A: Feature ini sangat berguna bagi player yang /awam/ menggunakan website UCP Q: Bagaimana cara memakai Mini Harvester ? [No.2] A: Kamu bisa menyewa Mini Harvester via command /miniharvester di lokasi ladang umum A: Mini Harvester hanya bisa disewa dan dipasang di mobil pickup Yosemite atau Bobcat A: Mini Harvester akan automatis aktif saat memasuki area Public Farm / Farm Umum Q: Apakah Mini Harvester bisa dipakai di Private Farm ? [No.2] A: Tidak bisa, hanya bisa digunakan di Public Farm / Farm Umum Q: Jika saya disconnect dari server, apakah Mini Harvester hilang ? [No.2] A: Akan hilang, tapi kamu bisa lanjut jika masih ada sisa waktu sewa A: Saat kamu menggunakan /miniharvester akan automatis lanjut sewa yang masih ada Q: Apa yang diubah sistem tanam Farmer ? [No.3] A: Sebelumnya untuk menanam tanaman menggunakan command '/plant plant', langsung tertanam A: Sekarang kamu pilih bibit yang ingin di tanam via '/plant plant', lalu tekan N untuk menanam A: Mode menanam tetap aktif selama bibit masih tersedia Q: Apa yang berubah dari gedung Workshop ? [No.5] A: Lebih besar! Akhirnya Workshop bisa muat Truck untuk hauling! A: Kita juga menambahkan slot Furniture agar bisa didekor lebih banyak Q: Saya sebelumnya punya custom mappingan untuk Workshop, itu jadinya gimana ? [No.5] A: Mohon buat permohonan refund untuk claims custom map, jangan lupa memberikan nama UCP kamu Footnote: Jika ada sesuatu dari update ini yang masih belum jelas, anda bisa bertanya langsung di thread ini dengan cara mereply

- East Side Bunnies Park Boys 13 (ESBPB13) is a primarily Mexican-American gang, where several African American members are also part of the group. This faction potrays the modern-day life of a Hispanic gang in LS. You can roleplay as a teenager who was born and raised in LS that soon will be affiliated with the gang. You must develop a realistic character development as well. Feel free to hit our DMs @Daffies @Escanors @Garda (https://discord.gg/Gv4JnhqWvk)